it. On the appointed day one of his friends brought Christophe to the hall, where
he sat at the back of a box. He was surprised to see that at this private rehearsal the hall—
at least the ground floor seats—were almost all filled; a crowd of dilettante idlers and
342
critics moved about and chattered
Nike Air Max 1 to each other. The orchestra had to ignore their
presence.
They began with the Brahms
Nike Air Max 1 Shoes Rhapsody for alto, chorus of male voices, and orchestra on a
fragment of the Harzreise im Winter of Goethe. Christophe, who
Nike Air Max 1 Premium detested the majestic
sentimentality of the work, thought that perhaps the "Brahmins" had introduced it
politely to avenge themselves by forcing him to hear a composition of which he had
written irreverently. The idea made him laugh, and his good humour increased when
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after the Rhapsody there came two other productions by known musicians whom he had
taken to task; there seemed to be no doubt about their intentions. And while
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