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CRI: Can you please explain the creativity in traditional Chinese music?Fred: This is exactly what I鈥檓 interested about this panel that I鈥檝e been at this Beijing forum. How do we define the notion of creativity? My view is the Chinese concept of creativity is very different from that of the west. In my presentation, in my paper, I actually argued that creativity or innovation in the western sense has a very short history in China. It came in since the turn of the twentieth century. For about a century or so, when Chinese musicians and music adopted a western way of thinking about art and music, the traditional way of thinking about creativity is very limited in a sense of very Chinese style. For example,
prada outlet, if you look at a Chinese painting,
kwpt, you see many Chinese paintings contain the same theme,
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hogan scarpe, since the introduction of western music in China, from the late 19th century to the early 20 century, People are learning the new things since the May 4th, also since the establishment of the national conservatory by Xiao Yongmei in 1927 in Shanghai. You have a new concept of music making and a new concept of what music is, which is mostly based on the west. So Chinese music took on the new direction, which is against the old way of thinking creativity within the boundary of tradition. Now people want to break through the tradition. They want to adopt a western way of doing things. So Chinese music is taking on a new direction since the 1920th, even up to now, in a new way of thinking about creativity. So in another word, we have to take that history or historical energy into consideration in order to give a more meaningful understanding of what creativity is in the modern days.
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